{"id":2970,"date":"2025-11-17T08:16:00","date_gmt":"2025-11-17T08:16:00","guid":{"rendered":"https:\/\/sfat.info.ro\/wordpress\/?p=2970"},"modified":"2025-11-17T08:16:01","modified_gmt":"2025-11-17T08:16:01","slug":"cei-zece-tauri-zen","status":"publish","type":"post","link":"https:\/\/sfat.info.ro\/wordpress\/?p=2970","title":{"rendered":"Cei zece tauri zen"},"content":{"rendered":"\n<p>Pe tot parcursul ilumin\u0103rii sale, procesul prin care a trecut Yaeko s-a desf\u0103\u0219urat a\u0219a cum este descris \u00een <em>Cei zece tauri zen<\/em> (sau <em>Cele zece tablouri ale p\u0103storului aflat \u00een c\u0103utarea bivolului<\/em>). Este vorba de o descriere metaforic\u0103 a stadiilor realiz\u0103rii care implic\u0103 un p\u0103stor (reprezent\u00e2ndu-l pe c\u0103ut\u0103tor) \u0219i taurul, sau bivolul (reprezent\u00e2nd adev\u0103rata noastr\u0103 natur\u0103 primordial\u0103). R\u0103m\u00e2ne \u00eenc\u0103 una din cele mai bune descrieri a procesului trezirii. Dateaz\u0103 din primii ani ai curentului Cha\u2019an \u00een China, dar a fost adunat\u0103 de maestrul Cha\u2019an din secolul al XII-lea, Kuo an Shihyuan (Kakuan Shien).<\/p>\n\n\n\n<p>Pun aici un film interesant \u0219i corect g\u0103sit pe YouTube, dar \u0219i explica\u021biile date de P.T. Mistlberger \u00een <a href=\"https:\/\/www.meditative.arts.ro\/wordpress\/produs\/crudul-adevar-capcane-deziluzii-si-pericole-pe-calea-evolutiei-spirituale-de-p-t-mistlberger\/\">Crudul adev\u0103r<\/a>:<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/pfXdJnCbXYg?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=ro-RO&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p><strong>Cei zece tauri zen (sau Cele zece tablouri ale p\u0103storului aflat \u00een c\u0103utarea bivolului)<\/strong><br>Stagiile trezirii profunde (comentariile lui Kakuan sunt redate \u00een al doilea paragraf):<\/p>\n\n\n\n<p><strong>1. C\u0103utarea taurului<\/strong><\/p>\n\n\n\n<p>Pe p\u0103\u0219unile acestei lumi dau la o parte iarba<br>nesf\u00e2r\u0219it\u0103 \u00een c\u0103utarea taurului. Urm\u0103resc r\u00e2uri f\u0103r\u0103<br>nume, m\u0103 pierd pe potecile mun\u021bilor \u00eendep\u0103rta\u021bi,<br>puterea mea scade \u0219i sunt epuizat, nu pot s\u0103-l g\u0103sesc,<br>aud doar l\u0103custele noaptea, prin p\u0103dure.<br><\/p>\n\n\n\n<p>C\u0103utarea taurului este \u00eenceputul drumului. De obicei este dominat de dezam\u0103gire \u0219i de recunoa\u0219terea faptului c\u0103 am tr\u0103it via\u021ba merg\u00e2nd f\u0103r\u0103 scop pe poteci lipsite de sens.<\/p>\n\n\n\n<p><strong>2. Descoperirea urmelor<\/strong><\/p>\n\n\n\n<p>De-a lungul malului, pe sub copaci, am descoperit<br>urmele! Chiar \u0219i pe sub ierburile mirositoare am z\u0103rit<br>urmele. Le-am g\u0103sit \u0219i \u00een mun\u021bii \u00eendep\u0103rta\u021bi. Urmele<br>astea nu se mai pot ascunde de mine.<\/p>\n\n\n\n<p>Au fost z\u0103rite urmele. Este momentul \u00een care \u00eencepe s\u0103 creasc\u0103 \u00eencrederea c\u0103ut\u0103torului \u00een existen\u021ba taurului, \u00een realitatea trezirii.<\/p>\n\n\n\n<p><strong>3. Z\u0103rirea taurului<\/strong><\/p>\n\n\n\n<p>Aud c\u00e2ntecul privighetorii. Soarele este cald, v\u00e2ntul<br>este bl\u00e2nd, s\u0103lciile verzi sunt pe mal, nici un taur<br>nu se mai poate ascunde! Ce artist poate picta capul<br>masiv, coarnele maiestuoase?<\/p>\n\n\n\n<p>Taurul a fost z\u0103rit! Este departe, poate ascuns dup\u0103 o tuf\u0103, dar este, f\u0103r\u0103 nici o \u00eendoial\u0103, real. A fost primit\u0103 confirmarea vizual\u0103. Este etapa primei str\u0103fulger\u0103ri mistice, aceea a realiz\u0103rii faptului c\u0103 tot ceea ce percepem este una cu Sursa.<\/p>\n\n\n\n<p><strong>4. Prinderea taurului<\/strong><\/p>\n\n\n\n<p>Lupta e dur\u0103. Voin\u021ba \u0219i puterea \u00eei sunt inepuizabile.<br>Se \u00eendreapt\u0103 c\u0103tre platourile \u00eenalte, aflate deasupra<br>norilor sau prin r\u00e2pele inaccesibile.<\/p>\n\n\n\n<p>Taurul este \u201eprins\u201c, dar rela\u021bia cu el este bolov\u0103noas\u0103. Asta \u00eenseamn\u0103 c\u0103 \u0219i dup\u0103 prima z\u0103rire a adev\u0103ratei noastre naturi \u00eenc\u0103 mai apar emo\u021bii puternice. Taurul \u00eenc\u0103 este \u201es\u0103lbatic\u201c.<\/p>\n\n\n\n<p><strong>5. Dresarea taurului<\/strong><\/p>\n\n\n\n<p>Este nevoie de bici \u0219i de funie, altfel va r\u0103t\u0103ci pe<br>drumuri pline de praf. Bine dresat devine bl\u00e2nd. Din<br>acel moment \u00ee\u0219i ascult\u0103 st\u0103p\u00e2nul.<\/p>\n\n\n\n<p>Etapa se refer\u0103 la importanta realizare a faptului c\u0103 toate g\u00e2ndurile care ne apar \u00een minte sunt manifest\u0103ri ale adev\u0103ratei noastre naturi. Totul este a\u0219a cum este \u0219i a\u0219a trebuie privit, nicidecum \u201elucrurile nu ar trebui s\u0103 stea astfel\u201c.<\/p>\n\n\n\n<p><strong>6. C\u0103lare pe taur c\u0103tre cas\u0103<\/strong><\/p>\n\n\n\n<p>C\u0103lare pe taur, m\u0103 \u00eentorc acas\u0103. Pe \u00eenserat se aude<br>sunetul fluierului meu. Bat ritmul cu palma. Oricine<br>aude melodia, mi se al\u0103tur\u0103.<\/p>\n\n\n\n<p>Al \u0219aselea stadiu reprezint\u0103 aprofundarea \u00een\u021belegerii \u0219i corespunde renun\u021b\u0103rii la lupta \u00eentre diversele st\u0103ri ale min\u021bii.<\/p>\n\n\n\n<p><strong>7. Trecerea peste taur (taurul este uitat, singur cu sine)<\/strong><\/p>\n\n\n\n<p>C\u0103lare pe taur, ajung acas\u0103. Taurul se poate odihni.<br>Au sosit zorile. \u00centr-o fericit\u0103 odihn\u0103 am abandonat<br>biciul \u0219i funia.<\/p>\n\n\n\n<p>Etapa marcheaz\u0103 defini\u021bia clasic\u0103 a ilumin\u0103rii, c\u00e2nd s-a \u00een\u021beles c\u0103 taurul \u0219i c\u0103ut\u0103torul nu sunt separa\u021bi \u0219i nici nu au fost vreodat\u0103. \u00cenainte de asta, trezirea era o \u201eexperien\u021b\u0103\u201c, presupunea un \u201eeu\u201c care \u00ee\u0219i tr\u0103ie\u0219te \u201etrezirea\u201c. \u00cen al \u0219aptelea stadiu, iluzia central\u0103 a separ\u0103rii este realizat\u0103 pe deplin.<\/p>\n\n\n\n<p><strong>8. Taurul \u0219i sinele sunt uita\u021bi<\/strong><\/p>\n\n\n\n<p>Funie, bici, persoan\u0103 \u0219i taur, totul se contope\u0219te \u00een<br>Nimic. Cerul este at\u00e2t de vast \u00eenc\u00e2t nimic nu-l poate<br>p\u0103ta. C\u00e2\u021bi fulgi de z\u0103pad\u0103 exist\u0103 \u00een v\u0103paia focului?<br>Aici sunt urmele patriarhilor.<\/p>\n\n\n\n<p>Al optulea stadiu reprezint\u0103 aprofundarea \u0219i ad\u00e2ncirea celui de-al \u0219aptelea. Vedem aici ceea ce Chogyam Rampa numea \u201ematerialism spiritual\u201c, subtila con\u0219tiin\u021b\u0103 de sine de a fi trezit.<\/p>\n\n\n\n<p><strong>9. Ajungerea la izvor<\/strong><\/p>\n\n\n\n<p>Prea mul\u021bi pa\u0219i f\u0103cu\u021bi p\u00e2n\u0103 la \u00eentoarcerea la izvor.<br>Mai bine s\u0103 fi fost orb \u0219i surd de la bun \u00eenceput!<br>Ajuns cu adev\u0103rat acas\u0103, r\u00e2ul curge lini\u0219tit \u0219i florile<br>sunt ro\u0219ii.<\/p>\n\n\n\n<p>Acest stadiu marcheaz\u0103 deplina recunoa\u0219tere a sursei drept \u201econ\u0219tiin\u021b\u0103 f\u0103r\u0103 obiect\u201c. Poate fi \u00een\u021beles ca deplina \u00een\u021belegere a koanului lui Ramana Maharshi, \u201eCine sunt eu?\u201c Lucrurile sunt ceea ce sunt: \u201eR\u00e2ul curge lini\u0219tit \u0219i florile sunt ro\u0219ii.\u201c<\/p>\n\n\n\n<p><strong>10. \u00cen lume<\/strong><\/p>\n\n\n\n<p>Descul\u021b, cu pieptul gol, m\u0103 amestec printre oameni.<br>Hainele mele sunt zdren\u021buite \u0219i pr\u0103fuite \u0219i sunt mereu<br>fericit. Nu folosesc nici o vraj\u0103 ca s\u0103-mi prelungesc<br>via\u021ba. Acum, \u00een fa\u021ba mea, copacii mor\u021bi \u00eenvie.<\/p>\n\n\n\n<p>\u00cen unele dintre parabolele la al zecelea stadiu, c\u0103ut\u0103torul (acum dup\u0103 ce a g\u0103sit) reintr\u0103 \u00een lume cu o t\u0103rt\u0103cu\u021b\u0103 \u00een m\u00e2n\u0103, din cele folosite pentru vin. Vinul poate fi v\u0103zut ca simbol al adev\u0103ratei dorin\u021be de a \u00eembr\u0103\u021bi\u0219a lumea, a dorin\u021bei de a utiliza orice mijloc pentru a-i trezi pe cei lal\u021bi, fie \u0219i doar intr\u00e2nd \u00een lumea visurilor. Uneori poart\u0103 numele de \u201ecalea maestrului nebun\u201c. Cu toate acestea, termenul este susceptibil de a fi ne\u00een\u021beles \u0219i prost folosit. Conform \u00eenv\u0103\u021b\u0103turilor din budismul Mahayana, un ade v\u0103rat \u201emaestru nebun\u201c este unul care a atins un nivel profund al ilumin\u0103rii \u0219i a fost purificat de orice p\u00e2ng\u0103rire a caracterului. Ceea ce-i permite s\u0103 intre \u00een oricare dimensiune a realit\u0103\u021bii f\u0103r\u0103 s\u0103-i fie team\u0103 c\u0103 o s\u0103 fie tentat, p\u0103str\u00e2ndu-\u0219i limpezimea \u0219i motiva\u021bia, pentru a-i ajuta pe ceilal\u021bi.<\/p>\n\n\n\n<p>Textul explicativ este preluat din <a href=\"https:\/\/www.meditative.arts.ro\/wordpress\/produs\/crudul-adevar-capcane-deziluzii-si-pericole-pe-calea-evolutiei-spirituale-de-p-t-mistlberger\/\">Crudul adev\u0103r, de P.T. Mistlberger<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><a href=\"https:\/\/www.meditative.arts.ro\/wordpress\/produs\/crudul-adevar-capcane-deziluzii-si-pericole-pe-calea-evolutiei-spirituale-de-p-t-mistlberger\/\"><img loading=\"lazy\" decoding=\"async\" width=\"665\" height=\"1024\" src=\"https:\/\/sfat.info.ro\/wordpress\/wp-content\/uploads\/2025\/04\/coperta1_site-1-665x1024.jpg\" alt=\"\" class=\"wp-image-2810\" style=\"width:358px;height:auto\" srcset=\"https:\/\/sfat.info.ro\/wordpress\/wp-content\/uploads\/2025\/04\/coperta1_site-1-665x1024.jpg 665w, https:\/\/sfat.info.ro\/wordpress\/wp-content\/uploads\/2025\/04\/coperta1_site-1-195x300.jpg 195w, https:\/\/sfat.info.ro\/wordpress\/wp-content\/uploads\/2025\/04\/coperta1_site-1-768x1183.jpg 768w, https:\/\/sfat.info.ro\/wordpress\/wp-content\/uploads\/2025\/04\/coperta1_site-1-997x1536.jpg 997w, https:\/\/sfat.info.ro\/wordpress\/wp-content\/uploads\/2025\/04\/coperta1_site-1.jpg 1039w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><\/a><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Pe tot parcursul ilumin\u0103rii sale, procesul prin care a trecut Yaeko s-a desf\u0103\u0219urat a\u0219a cum este descris \u00een Cei zece tauri zen (sau Cele zece [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2812,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[22,87],"class_list":["post-2970","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-spiritual","tag-spiritualitate","tag-zen","has_thumb"],"jetpack_featured_media_url":"https:\/\/sfat.info.ro\/wordpress\/wp-content\/uploads\/2025\/04\/AdobeStock_585375156.jpeg-scaled-e1743773613715.jpg","jetpack_shortlink":"https:\/\/wp.me\/p9kw6W-LU","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/sfat.info.ro\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/2970","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sfat.info.ro\/wordpress\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sfat.info.ro\/wordpress\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sfat.info.ro\/wordpress\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sfat.info.ro\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2970"}],"version-history":[{"count":1,"href":"https:\/\/sfat.info.ro\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/2970\/revisions"}],"predecessor-version":[{"id":2971,"href":"https:\/\/sfat.info.ro\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/2970\/revisions\/2971"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sfat.info.ro\/wordpress\/index.php?rest_route=\/wp\/v2\/media\/2812"}],"wp:attachment":[{"href":"https:\/\/sfat.info.ro\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2970"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sfat.info.ro\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2970"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sfat.info.ro\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2970"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}