{"id":363,"date":"2017-09-19T12:32:24","date_gmt":"2017-09-19T12:32:24","guid":{"rendered":"https:\/\/sfat.info.ro\/wordpress\/?p=363"},"modified":"2017-09-19T12:32:24","modified_gmt":"2017-09-19T12:32:24","slug":"de-doua-ori-philip-k-dick","status":"publish","type":"post","link":"https:\/\/sfat.info.ro\/wordpress\/?p=363","title":{"rendered":"De dou\u0103 ori Philip K. Dick"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/sfat.info.ro\/wordpress\/wp-content\/uploads\/2017\/09\/totalrecall1-300x195.jpg\" alt=\"\" width=\"300\" height=\"195\" class=\"aligncenter size-medium wp-image-365\" srcset=\"https:\/\/sfat.info.ro\/wordpress\/wp-content\/uploads\/2017\/09\/totalrecall1-300x195.jpg 300w, https:\/\/sfat.info.ro\/wordpress\/wp-content\/uploads\/2017\/09\/totalrecall1.jpg 400w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><br \/>\nV\u0103zusem <em>Total Recall<\/em> (foto: Courtesy Rialto Pictures ), varianta din 1990, cu Arnold Schwarzenegger, a\u0219a c\u0103 m-am bucurat c\u00e2nd am aflat c\u0103 exist\u0103 o nou\u0103 ecranizare cu Colin Farrell \u00een rolul principal. Nu putea dec\u00e2t s\u0103 fie mai bine, Colin Farrell e capabil de mai mult\u0103 profunzime \u00een interpretarea unui rol, iar trucajele au devenit realitate virtual\u0103 \u00een cele dou\u0103 decenii care s-au scurs de la prima ecranizare. Mai mult, Len Wiseman, cu ale sale <em>Man in Black<\/em> \u0219i <em>Independence Day<\/em>, era \u0219i el mai pe gustul meu dec\u00e2t Paul Verhoeven, care \u00eenainte de <em>Total Recall<\/em> m\u0103 plictisise cu un <em>RoboCop<\/em>. Gre\u0219it! \ud83d\ude42<!--more--><br \/>\nNici m\u0103car mult mai exotica \u0219i erotica femeie cu trei s\u00e2ni din ecranizarea recent\u0103 nu se poate compara cu dramatica apari\u021bie a personajului similar \u00een prima ecranizare, acolo unde chiar avea un sens \u0219i \u00eempingea \u00eenainte nara\u021biunea. Iar Arnold, c\u00e2t de statuie\/robot este el de fin \u0219i de subtil tot a reu\u0219it s\u0103 transmit\u0103 mai mult \u00een rolul omului care-\u0219i recupereaz\u0103 via\u021ba \u0219i memoria dec\u00e2t oarecum mult mai sensibilul Colin Farrell.<br \/>\nDe ce?&#8230; Dou\u0103 filme, cu actori pl\u0103cu\u021bi, g\u00e2ndite de regizori peste medie \u00een registrul filmelor de categorie B. Ambele cu acela\u0219i punct de plecare, Philip K. Dick. Cel vechi spunea ceva, cel nou te enerveaz\u0103. P\u0103i, aici era secretul! Filmul vechi are men\u021biunea: (short story &#8222;We Can Remember It For You Wholesale&#8221;) (inspiration) (Phillip K. Dick), \u00een timp ce \u00een cazul variantei noi trebuie s\u0103 cau\u021bi mult \u0219i bine numele lui Dick pentru a g\u0103si o men\u021biune a lui. Sigur c\u0103 filmele se \u00eendep\u0103rteaz\u0103 de sursa lor de inspira\u021bie din mii de motive. Cel mai important fiind acela c\u0103 sunt opere noi, inspirate doar de o povestire, de un roman. \u00cen acest caz de Philip K. Dick. \u0218i po\u021bi s\u0103 fugi de decorul lui Dick, pentru c\u0103 ai alte posibilit\u0103\u021bi tehnice, \u0219i po\u021bi s\u0103 te \u00eendep\u0103rtezi de ac\u021biunea propus\u0103 de el, pentru c\u0103 spectatorul de azi poate are alt ritm, dar nu po\u021bi s\u0103 dai alt sens pove\u0219tii, pentru c\u0103 e greu s\u0103-l concurezi pe Dick \u00een plan filozofic, e greu s\u0103 dai o alt\u0103 semnifica\u021bie textelor sale dublu inspirate.<br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/sfat.info.ro\/wordpress\/wp-content\/uploads\/2017\/09\/totalrecall2-300x140.jpg\" alt=\"\" width=\"300\" height=\"140\" class=\"aligncenter size-medium wp-image-366\" srcset=\"https:\/\/sfat.info.ro\/wordpress\/wp-content\/uploads\/2017\/09\/totalrecall2-300x140.jpg 300w, https:\/\/sfat.info.ro\/wordpress\/wp-content\/uploads\/2017\/09\/totalrecall2.jpg 400w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><br \/>\nMai recenta ecranizare aici gre\u0219e\u0219te. Pentru c\u0103 revolu\u021biile nu prea se mai v\u00e2nd, \u0219i nici discu\u021biile despre asuprit \u0219i asupritor nu mai sunt \u00een\u021belese sau u\u0219or de v\u00e2ndut, ea p\u0103c\u0103tuie\u0219te prin \u00eenmuierea p\u00e2n\u0103 la un contorsionism facil a coloanei vertebrale a pove\u0219tii. Ceea ce \u00een prima ecranizare nu se \u00eent\u00e2mpla, Arnold \u00eenc\u0103 mai era un revolu\u021bionar. Din fericire exist\u0103 \u0219i situa\u021bii mult mai fericite.<br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/sfat.info.ro\/wordpress\/wp-content\/uploads\/2017\/09\/adjustmentbureau-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" class=\"aligncenter size-medium wp-image-367\" srcset=\"https:\/\/sfat.info.ro\/wordpress\/wp-content\/uploads\/2017\/09\/adjustmentbureau-300x169.jpg 300w, https:\/\/sfat.info.ro\/wordpress\/wp-content\/uploads\/2017\/09\/adjustmentbureau.jpg 400w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><br \/>\nC\u0103ci al doilea Dick din titlul articolului nu se refer\u0103 la a doua ecranizare <em>Total Recall<\/em>, ci la al doilea film pe care tocmai l-am v\u0103zut, Gardienii destinului. Cu men\u021biune clar\u0103 pe IMDB, Philip K. Dick (short story &#8222;Adjustment Team&#8221;), ecranizat\u0103 ca <em>The Adjustment Bureau<\/em>. De ce sim\u021bi spiritul lui Dick? De ce nu se pierde sensul? Poate \u0219i pentru c\u0103 regizorul George Nolfi este, de fapt, un foarte bun scenarist, capabil s\u0103-l \u00een\u021beleag\u0103 pe Dick, dispus s\u0103 fac\u0103 o reveren\u021b\u0103 \u00een fa\u021ba lui Dick. Altfel, filmul nu este departe de o pies\u0103 de teatru filmat\u0103 cu ceva mai multe mijloace dec\u00e2t o camer\u0103 pus\u0103 \u00een fa\u021ba scenei. Dar! A\u0219a \u00ee\u0219i dorea s\u0103 fie \u0219i Philip K. Dick. Mijloace pu\u021bine, g\u00e2nduri multe! <\/p>\n","protected":false},"excerpt":{"rendered":"<p>V\u0103zusem Total Recall (foto: Courtesy Rialto Pictures ), varianta din 1990, cu Arnold Schwarzenegger, a\u0219a c\u0103 m-am bucurat c\u00e2nd am aflat c\u0103 exist\u0103 o nou\u0103 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5],"tags":[12],"class_list":["post-363","post","type-post","status-publish","format-standard","hentry","category-privitor","tag-film","has_thumb"],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p9kw6W-5R","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/sfat.info.ro\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/363","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sfat.info.ro\/wordpress\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sfat.info.ro\/wordpress\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sfat.info.ro\/wordpress\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sfat.info.ro\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=363"}],"version-history":[{"count":4,"href":"https:\/\/sfat.info.ro\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/363\/revisions"}],"predecessor-version":[{"id":370,"href":"https:\/\/sfat.info.ro\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/363\/revisions\/370"}],"wp:attachment":[{"href":"https:\/\/sfat.info.ro\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=363"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sfat.info.ro\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=363"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sfat.info.ro\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=363"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}